Jake Romm is a New York–based writer and the Associate Editor of Protean Magazine.
Email: jakeromm@icloud.com | Twitter: @jake_romm | Instagram: @jakeromm
Writing
EssaysElements of Anti-Semitism (Parapraxis)
Acts Harmful to the Enemy (n+1)
Peculiar Decor (New York Review of Architecture)
Your Death Will Serve as its Own Justification (Welcome to Hellworld)
A Specter Hangs Over The Hampton's Couch (Strange Matters)
There’s Another Way to Hold Netanyahu Accountable for the Gaza Genocide (The Nation)
Al-Hela’s Substantial Support Holding Escapes Review, But It’s Still Wrong (Opinio Juris)
Can Weapons Manufacturers be Held Responsible for War Crimes? (Inkstick Media)
Criticism
Painting & SculptureLee Lozano: All Verbs (The Brooklyn Rail)
Sayre Gomez: Renaissance Collection (The Brooklyn Rail)
Mona Hatoum: all of a quiver (The Brooklyn Rail)
The Materiality of Memory in the Paintings of Eugène Leroy (Hyperallergic)
Ode to the Jungle: The European ironies of Jennifer Allora and Guillermo Calzadilla’s “Stop, Repair,
Prepare: Variations on ‘Ode to Joy’ for a Prepared Piano” (Van Magazine)
Victor Boullet: WERKK.WERKK.LIVERPOOL.PAINTING (Whitehot Magazine)
Photography
Gregory Crewdson (The Brooklyn Rail)
Love Songs: Photography and Intimacy | International Center of Photography, New York City (Photograph Magazine)
Josef Koudelka: Industry | Pace Gallery, New York (Photograph Magazine)
Heji Shin: The Big Nudes | 52 Walker, New York City (Photograph Magazine)
Larry Sultan: Pictures from Home | Yancey Richardson Gallery, New York City (Photograph Magazine)
Michal Chelbin: Swans and Sailboats | CLAMP, New York City (Photograph Magazine)
Rein Jelle Terpstra: Dark Dunes | Fotomuseum Den Haag, The Hague (Photograph Magazine)
Peter van Agtmael: Look at the USA (The Brooklyn Rail)
Oppression/Resistance: a review of Morgan Ashcom’s ‘Open’ (Mondoweiss)
Taysir Batniji's Disruptions (The Brooklyn Rail)
Film & TVAbsence and Desire: Kierkegaardian Silence in Hlynur Pálmason’s Godland (Image Journal)
No Place To Be (New York Review of Architecture)
We Never Left the Zone of Interest (Verso Blog)
Dziga Vertov and the Kino-Eye (The Brooklyn Rail)
BooksNo Such Thing as a Way Out (Strange Matters)
Imagining a World of Open Borders (The Nation)
This Macabre, Whirling Orgy: On Márcia Barbieri’s “The Whore” (Cleveland Review of Books)
Misery Loves Company (The New Inquiry)
InterviewsLate Fascism: An Interview with Alberto Toscano, Part 1 (Protean Magazine)
Late Fascism: An Interview with Alberto Toscano, Part 2 (Protean Magazine)
World Wide Waves: an interview with Laleh Khalili (The New Inquiry)
Academic Ruins in the Expanded Field (Krisis Journal for Contemporary Philosophy)
Frustrated Federalism: Daimler v. Bauman And The Entrenchment Of Supranational Corporate Sovereignty (National Lawyers Guild Review)
No Home in this World: The Case against John Yoo before the International Criminal Court (International Criminal Law Review)
Fiction & PoetryTotal Liquidation (Zagreb) (Protean Magazine) Martel's Position (minor literatures) Three Poems (Iterant) Lamentations (Protean Magazine) After the Revolution (Midnight Sun Magazine) Outro, Prelude (Cola Literary Review) Two Poems (Ballast Journal)
Fiction & PoetryTotal Liquidation (Zagreb) (Protean Magazine) Martel's Position (minor literatures) Three Poems (Iterant) Lamentations (Protean Magazine) After the Revolution (Midnight Sun Magazine) Outro, Prelude (Cola Literary Review) Two Poems (Ballast Journal)